[:it]2020, l'anno del topo[:en]2020, the year of the Rat[:ja]2020, the year of the Rat[:]
[:it]Siamo nel 2020 ed è ufficialmente scoccata l’ora dell’anno del topo. Vi siete mai chiesti perchè in Giappone, allo scoccare di ogni nuovo anno, viene annunciato il nome di un animale? Ad esempio “l’anno del montone” o “l’anno del bue” e così via?
photo credits: amazon.com , https://tokyo5.files.wordpress.com
Questa usanza prende origine dallo zodiaco cinese, che diversamente dalla nostra tradizione, non si basa sul mese di nascita, ma bensì sull’anno! Perciò ad ogni anno corrisponde uno dei 12 animali dell’oroscopo: Topo, bue, tigre, coniglio, drago, serpente, cavallo, montone, scimmia, gallo, cane e cinghiale.
photo credits: pinterest.it
L’astrologia ha sempre affascinato tutti, anche i più scettici. Il 2020 è l’anno del Topo, il primo dei 12 segni, caratterizzato dalla positività e dall’energia. Infatti, se la sua influenza sarà quella promessa, questo nuovo anno dovrebbe vedere l’evoluzione o l’avvio di nuovi progetti, promettendo succosi frutti a coloro che lavorano duramente.
Inoltre, famose astrologhe come Jessica Adams e Cathryn Moe affermano che ci aspettano 366 giorni in cui sarà “l’unione a fare la forza”. In questo nuovo anno, nessuno dovrebbe affrontare le grandi sfide da solo, ma unirsi per raggiungere l’obiettivo. Di conseguenza “condivisione di potere” sarà una delle parole chiave.
photo credits: pinterest.it
Potremmo assistere ad un processo evolutivo su scala mondiale, in cui le persone potrebbero arrivare a comprendersi e collaborare per il bene collettivo. Questo avrebbe grandi ripercussioni positive sul piano sociale.
Il topo rappresenta quella parte della psiche più oscura in cui il vero “io” si esprime. Cadranno le maschere che fino ad ora ci hanno circondato. Questo comporterebbe una maggiore compassione e comprensione anche verso il nostro stesso Pianeta (ci basti pensare alla lotta per cambiamenti climatici).
Una nuova energia dentro di noi libererà tutta la sua potenza. E voi? Siete pronti ad affrontare questa rivoluzione regalata dall'anno del topo?[:en]We are in 2020 and the time of the year of the rat has officially struck. Have you ever wondered why in Japan, at the stroke of each new year, the name of an animal is announced? For example "the year of the ram" or "the year of the ox" and so on?
photo credits: amazon.com , https://tokyo5.files.wordpress.com
This custom originates from the Chinese zodiac, which unlike our tradition, is not based on the month of birth, but on the year! Therefore, each year corresponds to one of the 12 animals of the horoscope: rat, ox, tiger, hare, dragon, serpent, horse, ram, monkey, bird, dog and boar.
photo credits: pinterest.it
Astrology has always fascinated everyone, even the most scepticals. 2020 is the year of the Rat, the first of the 12 signs, characterized by positivity and energy. In fact, if its influence will be that promised, this new year should see the evolution or start of new projects, promising juicy fruits for those who work hard.
In addition, famous astrologers such as Jessica Adams and Cathryn Moe say that 366 days await us in which "the union will be a strength". In this new year, nobody should face big challenges alone but join together to achieve a goal. Consequently, "sharing of power" will be one of the keywords.
photo credits: pinterest.it
We could witness an evolutionary process on a global scale, in which people could come to understand each other and collaborate for the collective good. This would have great positive social consequences.
The rat represents that part of the darker psyche where the true "I" expresses itself. The masks that have surrounded us so far will fall. This would lead to greater compassion and understanding even towards our own Planet (just think of the fight for climate change).
New energy within us will release all its power. And you? Are you ready to face this revolution given by the year of the rat?[:ja]We are in 2020 and the time of the year of the rat has officially struck. Have you ever wondered why in Japan, at the stroke of each new year, the name of an animal is announced? For example "the year of the ram" or "the year of the ox" and so on?
photo credits: amazon.com , https://tokyo5.files.wordpress.com
This custom originates from the Chinese zodiac, which unlike our tradition, is not based on the month of birth, but on the year! Therefore, each year corresponds to one of the 12 animals of the horoscope: rat, ox, tiger, hare, dragon, serpent, horse, ram, monkey, bird, dog and boar.
photo credits: pinterest.it
Astrology has always fascinated everyone, even the most scepticals. 2020 is the year of the Rat, the first of the 12 signs, characterized by positivity and energy. In fact, if its influence will be that promised, this new year should see the evolution or start of new projects, promising juicy fruits for those who work hard.
In addition, famous astrologers such as Jessica Adams and Cathryn Moe say that 366 days await us in which "the union will be a strength". In this new year, nobody should face big challenges alone but join together to achieve a goal. Consequently, "sharing of power" will be one of the keywords.
photo credits: pinterest.it
We could witness an evolutionary process on a global scale, in which people could come to understand each other and collaborate for the collective good. This would have great positive social consequences.
The rat represents that part of the darker psyche where the true "I" expresses itself. The masks that have surrounded us so far will fall. This would lead to greater compassion and understanding even towards our own Planet (just think of the fight for climate change).
New energy within us will release all its power. And you? Are you ready to face this revolution given by the year of the rat?[:]
[:it]Akira Isogawa: leggenda giapponese in Australia[:en]Akira Isogawa: Japanese Australian legend[:ja]Akira Isogawa: Japanese Australian legend[:]
[:it]Il Giappone è famoso e attraente non solo per gli occhi dell'Italia ma anche in tutto il mondo e il lavoro di Akira Isogawa ne è un esempio. Con l'apertura del Giappone al mondo, i giapponesi hanno viaggiato e si sono trasferiti in diversi paesi. Akira Isogawa è ora il residente giapponese più famoso dell'Australia.
Chi è Akira Isogawa
Nato a Kyoto, in Giappone, nel 1964, è emigrato in Australia nel 1986 ed è oggi uno dei più famosi stilisti di questa terra. Ha studiato moda all'East Sydney Technical College traendo ispirazione dal design giapponese contemporaneo. Alla fine degli anni '90, era conosciuto a livello internazionale insieme al suo marchio di abbigliamento femminile Akira. I suoi abiti appaiono sotto la sua etichetta Akira e sono venduti in Australia, Nuova Zelanda e altri 10 paesi. Ad oggi, è uno dei pochi designer australiani che espone e vende i suoi abiti a Parigi.
La leggenda Australiana
Nel 2005, colto di sorpresa, divenne una "leggenda australiana" e fu invitato ad apparire su un francobollo commemorativo. Questo onore è solo uno dei tanti riconoscimenti ricevuti da Isogawa per i suoi successi in oltre 25 anni di carriera
Ha detto a The Japan times "A dire il vero, non avevo idea che l'Australia Post fosse così progressista e innovativo nel proprio marketing", dice ridendo. “Pensavo che dovessi essere morto per apparire su un francobollo, figuriamoci lavorando attivamente nel proprio campo. Ho ancora molto da fare!”
La vita in Australia
L'Australia e la sua scena della moda hanno abbracciato Akira Isogawa come uno di loro. Si sente molto vicino alla sua casa adottiva, anche grazie a un cugino materno che vive nella città di Mittagong nel Nuovo Galles del Sud.
Il governo ha lanciato un programma per i visti per le vacanze e lavoro che ha dato a Isogawa la possibilità di realizzare le sue ambizioni di studiare e lavorare nella moda.
Arrivato in Australia a metà degli anni '80 e avendo alcune difficoltà nelle prime settimane del suo soggiorno, le cose sono migliorate dopo che sono nate le rivoluzionarie feste di ballo della RAT (Recreational Arts Team). Qui Isogawa riesce a connettersi con persone che la pensano allo stesso modo e far fiorire il suo talento.
Dopo essersi iscritto a un corso di moda presso l'East Sydney Technical College, ha aperto il suo primo negozio con tutti i suoi risparmi.
"Sydney è la mia base", afferma Isogawa. “Crescendo a Kyoto, mi sono sempre sentito come se fossi altrove. Non credo di riuscire a comportarmi come un “giapponese tipico” e seguire le regole della società. Capisco come tali regole siano necessarie e aiutano il Giappone a funzionare in modo efficiente come fa oggi. Ma io amo infrangere le regole, e questo è permesso qui in Australia. È un vero sollievo".
Tuttavia, a tutti manca sempre la patria. Anche Akira Isogawa ammette un desiderio nostalgico per la tranquilla Kyoto della sua infanzia. Si riferisce infatti all'arte giapponese di "leggere l'aria", dove le cose sono comprese, ma non necessariamente dette.
Gli anni '90
Tuttavia, è negli anni '90 che il lavoro di Isogawa e la sua etichetta Akira esplosero ed vennero conosciuti in tutto il mondo. Dopo il suo show di debutto durante la Mercedes Benz Fashion Week Australia nel 1996, questo è diventato un momento regolare per il suo lavoro, ma non solo. In effetti, queste passerelle erano solo l'inizio. Infatti, successivamente ottennte un posto alle sfilate di moda di Parigi. Qui ha catturato l'attenzione di Joan Burstein, l'acquirente di moda internazionale che ha contribuito a lanciare nomi come Alexander McQueen e John Galliano nel Regno Unito.
Un altro momento cruciale avvenne quando Naomi Campbell indossò l'abito di akira ispirato al kimono sulla copertina di Vogue Australia nel 1997.
“Quella copertina è stata una svolta nella mia carriera; non può essere minimizzato. È stato fantastico ”, ricorda Isogawa. "Sono anche molto grato ai media, a tutti quelli che mi hanno supportato. Ma allo stesso tempo, è stato così stressante. Non sono riuscito a gestire tutto e sono finito con un addetto alla reception, tra gli altri 25 dipendenti a tempo pieno".
Dopo la follia della moda
Nel 2004, ha incontrato il CEO di Australian Wool Innovation e Isogawa è diventato l'ambasciatore di lana australiana. L'istituto era alla ricerca di un designer che potesse aggiornare l'immagine della lana, quindi nel 2005 Akira Isogawa ha creato un nuovo tipo di tessuto. Una garza di lana fine e leggera ispirata alla georgette di seta.
“Volevo che il tessuto fosse leggero. Volevo che la lana venisse reinterpretata come trans-stagionale ", afferma. “La garza di lana è piuttosto fragile, meravigliosamente morbida e 100% merino australiano. Ce l'ho ancora in magazzino. "
Akira Isogawa oggi
Ora che la vita è un po' più tranquilla, Isogawa è libero di esplorare nuove visioni e diversi sbocchi per il suo lavoro. Infatti, possiamo vederlo collaborare a progetti artistici, come la progettazione di costumi per la Sydney Dance Company.
Il marchio di abbigliamento femminile Akira è famoso per mescolare elementi orientali e occidentali in termini di tessuti, tecniche e design. La libertà concessa al lavoro e alla vita di Akira come immigrato australiano lo ha aiutato a sviluppare il suo stile personale.
Credendo fermamente nella moda lenta e sostenibile, i capi di Akira Isogawa trascendono il tempo, dimenticano le tendenze e devono essere indossati ancora e ancora.
Fonte: japantimes.co.jp
Foto: japantimes.co.jp[:en]Japan is famous and attractive not only to Italy’s eyes but also worldwide and Akira Isogawa’s work is an example. With the opening of Japan to the world, Japanese people have travelled and moved to different countries. Akira Isogawa is now Australia’s most famous Japanese resident.
Who is Akira Isogawa
Born in Kyoto, Japan in 1964, he emigrated to Australia in 1986 and he is now one of the most famous Fashion Designer in the land down under. He studied fashion at the East Sydney Technical College drawing inspiration from contemporary Japanese design. By the late 1990s, he was known internationally together with his womenswear label Akira. His clothes appear under his own label and are sold in Australia and New Zealand, and 10 other countries. As of now, he is one of the few Australian designers to exhibit and sell his clothing in Paris.
The Australian Legend
In 2005, caught by surprise, he became an “Australian Legend” and he was invited to appear on a commemorative postage stamp. This honor is just one of the many awards received by Isogawa for his achievements in over 25 years of career
He told The Japan times “To be honest, I had no idea that Australia Post was so progressive and innovative in their marketing,” he says, laughing. “I thought you had to be dead to appear on a postage stamp, let alone working actively in your field. I still have so much yet to do!”
Life in Australia
Australia and its fashion scene have embraced Akira Isogawa as one of their own. He feels very closed to his adoptive home, also thanks to a maternal cousin living in the New South Wales town of Mittagong.
The government launched a Working Holiday visa program that gave Isogawa the chance to realize his ambitions of studying and working in fashion.
Arrived in Australia in the mid-80s and having some difficulties in the first weeks of his stay, things got better after the city’s groundbreaking RAT (Recreational Arts Team) dance parties were born. Here Isogawa could connect with like-minded people and let his talent flourish.
After enrolling in a fashion course at the East Sydney Technical College, he opened his first shop using all his savings.
“Sydney is my base,” Isogawa says. “Growing up in Kyoto, I always felt as if I belonged elsewhere. I don’t think I can behave ‘typically’ Japanese and follow societal rules. I understand how such rules are necessary and help Japan to function as efficiently as it does. But I’m a rule breaker, and that’s permitted here in Australia. It’s a real relief.”
However, everyone always misses the homeland. Akira Isogawa too admits a nostalgic longing for the tranquil Kyoto of his childhood. He refers to the Japanese art of “reading the air,” where things are understood, but not necessarily said.
The 1990s
However, it’s in the 90s that Isogawa’s work and his label Akira exploded and was known all over the world. After his debut show during Mercedes Benz Fashion Week Australia in 1996, this now became a regular outlet for his work, but not only. In fact, these runways were just the beginning and he landed a spot in Paris fashion shows. Here he caught Joan Burstein’s eye, the international fashion buyer who helped launch names such as Alexander McQueen and John Galliano in the U.K.
Another pivotal moment was Naomi Campbell wearing Akira’s kimono-inspired dress on the cover of Vogue Australia in 1997.
“That cover was a turning point in my career; it can’t be understated. It was amazing,” reminisces Isogawa. “I’m also very grateful to the media, everyone who supported me. But at the same time, it was so stressful. I couldn’t handle everything and ended up with a receptionist, among 25 other full-time staff.”
After the Fashion Madness
In 2004, he met with CEO of Australian Wool Innovation and Isogawa became the ambassador for Australian Wool. The institute was looking for a designer who could update wool’s image so in 2005, Akira Isogawa created a new kind of fabric. A featherweight, fine wool gauze inspired by silk georgette.
“I wanted (the textile) to be light. I wanted wool to be reinterpreted as transeasonal,” he says. “The wool gauze is quite fragile, beautifully soft and 100 percent Australian merino. I still have it in stock.”
Akira Isogawa Today
Now that life is a little bit calmer, Isogawa is free to explore new visions and different outlets for his work. In fact, we can see him collaborating on artistic projects, such as costume design for the Sydney Dance Company.
The Akira womenswear brand is famous for mixing elements of East and West in both terms of textiles, techniques and design. The freedom afforded to Akira’s work and life as an Australian immigrant helped him develop his own personal style.
As a firm believer in slow and sustainable fashion, Akira Isogawa’s garments transcend time, oblivious to trends, and they are to be worn again and again.
Source: japantimes.co.jp
Photos: japantimes.co.jp[:ja]Japan is famous and attractive not only to Italy’s eyes but also worldwide and Akira Isogawa’s work is an example. With the opening of Japan to the world, Japanese people have travelled and moved to different countries. Akira Isogawa is now Australia’s most famous Japanese resident.
Who is Akira Isogawa
Born in Kyoto, Japan in 1964, he emigrated to Australia in 1986 and he is now one of the most famous Fashion Designer in the land down under. He studied fashion at the East Sydney Technical College drawing inspiration from contemporary Japanese design. By the late 1990s, he was known internationally together with his womenswear label Akira. His clothes appear under his own label and are sold in Australia and New Zealand, and 10 other countries. As of now, he is one of the few Australian designers to exhibit and sell his clothing in Paris.
The Australian Legend
In 2005, caught by surprise, he became an “Australian Legend” and he was invited to appear on a commemorative postage stamp. This honor is just one of the many awards received by Isogawa for his achievements in over 25 years of career
He told The Japan times “To be honest, I had no idea that Australia Post was so progressive and innovative in their marketing,” he says, laughing. “I thought you had to be dead to appear on a postage stamp, let alone working actively in your field. I still have so much yet to do!”
Life in Australia
Australia and its fashion scene have embraced Akira Isogawa as one of their own. He feels very closed to his adoptive home, also thanks to a maternal cousin living in the New South Wales town of Mittagong.
The government launched a Working Holiday visa program that gave Isogawa the chance to realize his ambitions of studying and working in fashion.
Arrived in Australia in the mid-80s and having some difficulties in the first weeks of his stay, things got better after the city’s groundbreaking RAT (Recreational Arts Team) dance parties were born. Here Isogawa could connect with like-minded people and let his talent flourish.
After enrolling in a fashion course at the East Sydney Technical College, he opened his first shop using all his savings.
“Sydney is my base,” Isogawa says. “Growing up in Kyoto, I always felt as if I belonged elsewhere. I don’t think I can behave ‘typically’ Japanese and follow societal rules. I understand how such rules are necessary and help Japan to function as efficiently as it does. But I’m a rule breaker, and that’s permitted here in Australia. It’s a real relief.”
However, everyone always misses the homeland. Akira Isogawa too admits a nostalgic longing for the tranquil Kyoto of his childhood. He refers to the Japanese art of “reading the air,” where things are understood, but not necessarily said.
The 1990s
However, it’s in the 90s that Isogawa’s work and his label Akira exploded and was known all over the world. After his debut show during Mercedes Benz Fashion Week Australia in 1996, this now became a regular outlet for his work, but not only. In fact, these runways were just the beginning and he landed a spot in Paris fashion shows. Here he caught Joan Burstein’s eye, the international fashion buyer who helped launch names such as Alexander McQueen and John Galliano in the U.K.
Another pivotal moment was Naomi Campbell wearing Akira’s kimono-inspired dress on the cover of Vogue Australia in 1997.
“That cover was a turning point in my career; it can’t be understated. It was amazing,” reminisces Isogawa. “I’m also very grateful to the media, everyone who supported me. But at the same time, it was so stressful. I couldn’t handle everything and ended up with a receptionist, among 25 other full-time staff.”
After the Fashion Madness
In 2004, he met with CEO of Australian Wool Innovation and Isogawa became the ambassador for Australian Wool. The institute was looking for a designer who could update wool’s image so in 2005, Akira Isogawa created a new kind of fabric. A featherweight, fine wool gauze inspired by silk georgette.
“I wanted (the textile) to be light. I wanted wool to be reinterpreted as transeasonal,” he says. “The wool gauze is quite fragile, beautifully soft and 100 percent Australian merino. I still have it in stock.”
Akira Isogawa Today
Now that life is a little bit calmer, Isogawa is free to explore new visions and different outlets for his work. In fact, we can see him collaborating on artistic projects, such as costume design for the Sydney Dance Company.
The Akira womenswear brand is famous for mixing elements of East and West in both terms of textiles, techniques and design. The freedom afforded to Akira’s work and life as an Australian immigrant helped him develop his own personal style.
As a firm believer in slow and sustainable fashion, Akira Isogawa’s garments transcend time, oblivious to trends, and they are to be worn again and again.
Source: japantimes.co.jp
Photos: japantimes.co.jp[:]
2019 Kanji of the year: 令
[:it]Il 2020 è finalmente arrivato e, come ogni anno, il Giappone ha eletto il "Kanji dell'anno" e per il 2019 la scelta è stata molto logica.
Dicembre e gennaio ci costringono sempre a fare alcune retrospettive sull'anno appena trascorso e la scelta per Kanji dell'anno non è meno degna.
Amministrato dalla giapponese Kanji Aptitude Testing Foundation, con sede a Kyoto, un singolo personaggio giapponese viene scelto a scrutinio aperto. La scelta finale ha lo scopo di incarnare un profondo significato per l'anno in chiusura.
Questa tradizione annuale viene annunciata da Seihan Mori, l'abate capo dello storico tempio Kiyomizudera di Kyoto. Questo non è un annuncio normale, infatti, l'abate capo scrive il kanji con un gigantesco pennello calligrafico mentre si trova sul balcone del tempio.
Questa volta sono stati espressi 216.325 voti e il vincitore kanji dell'anno è 令 pronunciato rei.
Rei significa "ordine" (nel senso di controllo ordinato), tuttavia, in alcuni contesti può anche significare "bello". Questo kanji è diventato famoso nel 2019 non solo come scelta del vincitore, ma anche quando è stata annunciata Reiwa, la nuova era imperiale del Giappone. Il governo giapponese ha chiarito che il significato di questa nuova era è "bella armonia"
Re / rei ha ricevuto 30.427, circa il 14% dei voti totali. Considerando che la lingua giapponese ha più di 2100 kanji ad uso regolare, questo è ancora un risultato molto importante per ogni singolo personaggio. Il secondo posto è stato occupato da 新 / shin, che significa “nuovo”, e il terzo posto 和 / wa, che significa “armonia” ed è il secondo kanji di Reiwa.
Il 2019 è stato un anno molto importante per il Giappone poiché ha segnato il cambiamento nell'era imperiale dal 1989. La selezione di 令 / rei non è una sorpresa. Tuttavia, riflette una mentalità più felice rispetto ai Kanji dell'anno nel 2018 ("disastro"), 2017 ("nord", in riferimento al lancio di missili nordcoreani) e 2014 ("imposta", il risultato di un impopolare aumento dell'imposta sulle vendite quell'anno).
Speriamo che 令 和 / rei non sia solo un promemoria dei cambiamenti significativi del 2019, ma anche un raggio di speranza che cose più belle stanno arrivando nel 2020.
E con questo, vogliamo augurare un felice anno nuovo a tutti i nostri lettori, alle vostre famiglie e persone care.
Sources: ©SoraNews24
Images ©SoraNews24, japon-secreto.com[:en]2020 is finally here and like every year, Japan has elected the “Kanji of the year” and for 2019 the choice was very logical.
December and January always force us to do some retrospectives on the year that just passed and the choice for Kanji of the year is not less worthy.
Administered by the Kyoto-based Japan Kanji Aptitude Testing Foundation, a single Japanese character is chosen by open ballot. The final choice is meant to embody a deep significance for the year as it comes to a close.
This yearly tradition is announced by Seihan Mori, the head abbot of Kyoto’s historical Kiyomizudera Temple. This is not a normal announcement, in fact, the head abbot writes the kanji with a giant calligraphy brush while standing on the temple’s balcony.
This time, 216,325 votes were cast, and the winner kanji of the year is 令 pronounced rei.
Rei means “order” (in the sense of orderly control), however, in some contexts it can also mean “beautiful”. This kanji has become famous during 2019 not just as the winner choice, but also when Reiwa, Japan’s new imperial era, was announced. The Japanese government clarified that the meaning of this new era is “beautiful harmony”
令/rei received 30,427, roughly 14% of the total votes. Considering that the Japanese language has more than 2100 regular-use kanji, this is still a very important result for any single character. Second-place was occupied by 新/shin, meaning “new,” and third-place 和/wa, which means “harmony” and is the second kanji in Reiwa.
2019 was a very important year for Japan since it marked the change in the imperial era since 1989. The selection of 令/rei isn’t much of a surprise. However, it reflects a happier mindset than the Kanji of the Year in 2018 (“disaster”), 2017 (“north,” in reference to North Korean missile launches) and 2014 (“tax,” the result of an unpopular sales tax increase that year).
Hopefully, 令和/rei will be not just a reminder of the significant changes of 2019, but also a ray of hope that more beautiful things are coming in 2020.
And with this, we want to wish a Happy New Year to all our readers, your families and loved ones. 明けましておめでとうございます。
Sources: ©SoraNews24
Images ©SoraNews24, japon-secreto.com[:ja]2020 is finally here and like every year, Japan has elected the “Kanji of the year” and for 2019 the choice was very logical.
December and January always force us to do some retrospectives on the year that just passed and the choice for Kanji of the year is not less worthy.
Administered by the Kyoto-based Japan Kanji Aptitude Testing Foundation, a single Japanese character is chosen by open ballot. The final choice is meant to embody a deep significance for the year as it comes to a close.
This yearly tradition is announced by Seihan Mori, the head abbot of Kyoto’s historical Kiyomizudera Temple. This is not a normal announcement, in fact, the head abbot writes the kanji with a giant calligraphy brush while standing on the temple’s balcony.
This time, 216,325 votes were cast, and the winner kanji of the year is 令 pronounced rei.
Rei means “order” (in the sense of orderly control), however, in some contexts it can also mean “beautiful”. This kanji has become famous during 2019 not just as the winner choice, but also when Reiwa, Japan’s new imperial era, was announced. The Japanese government clarified that the meaning of this new era is “beautiful harmony”
令/rei received 30,427, roughly 14% of the total votes. Considering that the Japanese language has more than 2100 regular-use kanji, this is still a very important result for any single character. Second-place was occupied by 新/shin, meaning “new,” and third-place 和/wa, which means “harmony” and is the second kanji in Reiwa.
2019 was a very important year for Japan since it marked the change in the imperial era since 1989. The selection of 令/rei isn’t much of a surprise. However, it reflects a happier mindset than the Kanji of the Year in 2018 (“disaster”), 2017 (“north,” in reference to North Korean missile launches) and 2014 (“tax,” the result of an unpopular sales tax increase that year).
Hopefully, 令和/rei will be not just a reminder of the significant changes of 2019, but also a ray of hope that more beautiful things are coming in 2020.
And with this, we want to wish a Happy New Year to all our readers, your families and loved ones. 明けましておめでとうございます。
Sources: ©SoraNews24
Images ©SoraNews24, japon-secreto.com[:]
[:it]G-Satellite è pronto per accompagnarci durante le Olimpiadi 2020 a Tokyo[:en]G-Satellite is ready to accompany us during the 2020 Olympics in Tokyo[:ja]G-Satellite is ready to accompany us during the 2020 Olympics in Tokyo[:]
[:it]Il 2020 è alle porte, così come le Olimpiadi di Tokyo e il G-Satellite è appena stato completato! Ma di cosa stiamo parlando?
Per la prima volta nella storia giochi Olimpici e dei Paralimpici, un satellite orbiterà attorno alla terra per celebrare l'avvenimento.
Il satellite in miniatura "G-SATELLITE Go to Space" è stato finalmente completato e verrà dispiegato nello spazio in un modo speciale! "Mobile Suite GUNDAM e Char's ZAKU - due dei personaggi animati più famosi del Giappone - accompagneranno il G-Satellite nel loro viaggio nello spazio prima delle Olimpiadi.
Questa è la prima iniziativa nella storia delle olimpiadi e fa parte del Tokyo One Team Project 2020. Questo progetto è stato lanciato in collaborazione con l'Università di Tokyo, la Japan Aerospace Exploration Agency (JAXA) e tre società nella prefettura di Fukui, tra cui i produttori di giocattoli di Tokyo.
Il G-SATELLITE volerà nella Stazione Spaziale Internazionale (ISS) a marzo. Successivamente, verrà rilasciato nella propria orbita terrestre nell'aprile 2020.
Il design del satellite si basa sul satellite “CubeSat” da 3 kg noto come TRICOM-1R. Sarà trasportato alla Stazione Spaziale Internazionale da un razzo e lanciato da lì. Misurando solo 10 cm x 10 cm x 30 cm, G-SATELLITE orbiterà intorno alla terra per la durata dei Giochi Olimpici, trasmettendo immagini del pianeta, mostrando messaggi sulla sua bacheca elettrica e filmando le figure animate.
GUNDAM e ZAKU nello spazio con G-Satellite
In un cubicolo all'interno di G-SATELLITE ci sono GUNDAM e ZAKU insieme a una serie di piccole telecamere installate che registreranno e trasmetteranno le loro immagini. Ci sarà anche una bacheca elettrica che verrà schierata una volta che il satellite è in orbita.
Questa bacheca mostrerà messaggi sui Giochi di Tokyo 2020 in inglese, francese e giapponese.
Le miniature in miniatura GUNDAM e ZAKU sono state prodotte per adattarsi al piccolo satellite. Materiali speciali e vernici sono stati usati per fabbricare i personaggi animati. Inoltre, i dati sono stati sottoposti a vari test come le vibrazioni e le valutazioni di impatto per garantire che possano resistere al duro ambiente dello spazio. Ma non è finita qui Infatti, gli occhi di GUNDAM e ZAKU brilleranno su uno sfondo bianco in ciascuno dei colori dei cinque anelli olimpici durante i giochi olimpici e tre colori Agitos durante i giochi paralimpici e le loro teste si muoveranno.
Shinichi Nakasuka, professore all'Intelligent Space Systems Laboratory, Università di Tokyo, ha commentato: “Quando ho saputo di questo progetto, mi chiedevo se l'avrebbero davvero portato avanti. Abbiamo messo in orbita i satelliti in precedenza, ma poi ho pensato che potremmo essere in grado di fare qualcosa nello spazio per aiutare a rallegrare i Giochi Olimpici e Paralimpici. Sento un po 'di pressione come creatore del satellite per questo progetto, ma trasformerò quella pressione in divertimento e farò del mio meglio. ”
Koji Murofushi, direttore sportivo di Tokyo 2020, ha aggiunto: “Le Olimpiadi e le Paralimpiadi sono un festival che porterà gli atleti di tutto il mondo a Tokyo e in Giappone a competere tra loro. Con l'aggiunta dello spazio come nuova dimensione per Tokyo 2020, spero che i Giochi diventino un evento ancora più grande. Non vedo davvero l'ora che GUNDAM e ZAKU tifino per gli atleti e i Giochi di Tokyo 2020 dallo spazio. ”
source: tokyo2020.org
photo credits: tokyo2020.org[:en]2020 is around the corner and so are the Tokyo Olympics and the G-Satellite has just been completed! But what are we talking about?
For the first time in the history of the Olympic and Paralympic that a satellite will be orbiting the earth to celebrate the Games.
The miniature “G-SATELLITE Go to Space” satellite has finally been completed and it will be deployed into space in a special way! “Mobile Suite GUNDAM and Char’s ZAKU – two of Japan’s most popular animated characters - will accompany the G-Satellite in its journey to space before the Olympics.
This is the first initiative in history and it’s part of the Tokyo 2020 One Team Project. This project was launched in collaboration with the University of Tokyo, the Japan Aerospace Exploration Agency (JAXA) and three companies in Fukui prefecture including toymakers from Tokyo.
The G-SATELLITE will fly into International Space Station (ISS) in March. After that, it will be released into its own earth orbit in April 2020.
The design of the satellite is based on the 3-kg “CubeSat” satellite known as TRICOM-1R, will be transported to the International Space Station by rocket and launched from there. Measuring just 10cm x 10cm x 30cm, the G-SATELLITE will orbit the earth for the duration of the Olympic Games, broadcasting images of the planet, displaying messages on its electric bulletin board and filming the animated figures.
GUNDAM and ZAKU into space with G-Satellite
In a cubicle inside the G-SATELLITE there are GUNDAM and ZAKU together with a number of small cameras installed which will record and transmit their images. There will also be an electric bulletin board which will be deployed once the satellite is in orbit.
This bulletin board will display messages about the Tokyo 2020 Games in English, French and Japanese.
The miniature GUNDAM and ZAKU figures have been produced to fit the tiny satellite. Special materials and paints have been used to manufacture the animated characters. Also, the figures undertook various tests such as vibration and impact assessments to ensure they can withstand the harsh environment of space. But this is not the end of the surprises! In fact, the eyes of the GUNDAM and ZAKU will glow on a white background in each of the colours of the five Olympic rings during the Olympic Games and three Agitos colours during the Paralympic Games and their heads will move.
Shinichi Nakasuka, professor at Intelligent Space Systems Laboratory, University of Tokyo, commented, “When I heard about this project, I wondered whether they would really go through with it. We've put satellites into orbit before, but then I thought we might be able to do something in space to help cheer on the Olympic and Paralympic Games. I'm feeling a bit of pressure as the creator of the satellite for this project, but I will turn that pressure into enjoyment and do my best.”
Tokyo 2020 Sports Director Koji Murofushi added, “The Olympics and Paralympics are a festival that will bring athletes from all over the world to Tokyo and to Japan to compete with one another. With the addition of space as a new dimension for Tokyo 2020, I hope that the Games will become an even bigger event. I am really looking forward to GUNDAM and ZAKU cheering on the athletes and the Tokyo 2020 Games from space.”
source: tokyo2020.org
photo credits: tokyo2020.org[:ja]2020 is around the corner and so are the Tokyo Olympics and the G-Satellite has just been completed! But what are we talking about?
For the first time in the history of the Olympic and Paralympic that a satellite will be orbiting the earth to celebrate the Games.
The miniature “G-SATELLITE Go to Space” satellite has finally been completed and it will be deployed into space in a special way! “Mobile Suite GUNDAM and Char’s ZAKU – two of Japan’s most popular animated characters - will accompany the G-Satellite in its journey to space before the Olympics.
This is the first initiative in history and it’s part of the Tokyo 2020 One Team Project. This project was launched in collaboration with the University of Tokyo, the Japan Aerospace Exploration Agency (JAXA) and three companies in Fukui prefecture including toymakers from Tokyo.
The G-SATELLITE will fly into International Space Station (ISS) in March. After that, it will be released into its own earth orbit in April 2020.
The design of the satellite is based on the 3-kg “CubeSat” satellite known as TRICOM-1R, will be transported to the International Space Station by rocket and launched from there. Measuring just 10cm x 10cm x 30cm, the G-SATELLITE will orbit the earth for the duration of the Olympic Games, broadcasting images of the planet, displaying messages on its electric bulletin board and filming the animated figures.
GUNDAM and ZAKU into space with G-Satellite
In a cubicle inside the G-SATELLITE there are GUNDAM and ZAKU together with a number of small cameras installed which will record and transmit their images. There will also be an electric bulletin board which will be deployed once the satellite is in orbit.
This bulletin board will display messages about the Tokyo 2020 Games in English, French and Japanese.
The miniature GUNDAM and ZAKU figures have been produced to fit the tiny satellite. Special materials and paints have been used to manufacture the animated characters. Also, the figures undertook various tests such as vibration and impact assessments to ensure they can withstand the harsh environment of space. But this is not the end of the surprises! In fact, the eyes of the GUNDAM and ZAKU will glow on a white background in each of the colours of the five Olympic rings during the Olympic Games and three Agitos colours during the Paralympic Games and their heads will move.
Shinichi Nakasuka, professor at Intelligent Space Systems Laboratory, University of Tokyo, commented, “When I heard about this project, I wondered whether they would really go through with it. We've put satellites into orbit before, but then I thought we might be able to do something in space to help cheer on the Olympic and Paralympic Games. I'm feeling a bit of pressure as the creator of the satellite for this project, but I will turn that pressure into enjoyment and do my best.”
Tokyo 2020 Sports Director Koji Murofushi added, “The Olympics and Paralympics are a festival that will bring athletes from all over the world to Tokyo and to Japan to compete with one another. With the addition of space as a new dimension for Tokyo 2020, I hope that the Games will become an even bigger event. I am really looking forward to GUNDAM and ZAKU cheering on the athletes and the Tokyo 2020 Games from space.”
source: tokyo2020.org
photo credits: tokyo2020.org[:]
[:it]Un Pokémon insolito è apparso a Yoshinoya in Giappone[:en]An unusual Pokèmon appeared at Yoshinoya in Japan[:ja]An unusual Pokèmon appeared at Yoshinoya in Japan[:]
[:it]Un'intera generazione è stata colpita da questi mostri tascabili chiamati Pokémon e ora li potete trovare a Yoshinoya in Giappone! Ma come è possibile?
Il 2019 segna il 120° anniversario nel settore delle ciotole di manzo per la famosa catena Yoshinoya. Il popolare ristorante fast food ha deciso di celebrare attraverso un'interessante partnership con il franchise Pokémon.
Catturarli sarà facile e super delizioso, solo 6 Pokémon disponibili questa volta! Dal 19 dicembre, i clienti di tutto il Giappone potranno ordinare un nuovo tipo di ciotola di carne: il Pokémori!
I Pokémori a Yoshinoya
Disponibile in tre varietà, Gyudon, Gyudon per bambini e Curry Rice, il tutto per meno di 500 yen (circa 4€), questo menu speciale include una scatola di succo e una figura Pokémon.
La parola "gyudon" significa "ciotola di manzo" in giapponese, quindi in onore di questo incredibile pasto della cucina nipponica è stato organizzato qualcosa di speciale. Avrai la possibilità di trovare sei figure di Pokémon con "don" nel loro nome giapponese.
Da sinistra a destra: Charizard (Lizardon), Groudon, Slowpoke (Yadon), Weepinbell (Utsudon), e le versioni ovest/est di Gastrodon (Tritodon)
Tuttavia, le sorprese non finiscono qui!
Sappiamo che la cultura giapponese ha una politica rigorosa per quanto riguarda il rispetto delle aree pubbliche. Quindi per tutti i bravi ragazzi e ragazze che puliscono i loro piatti, c'è un vantaggio speciale! È, infatti, possibile scoprire uno di questi mostri che si nascondono sul fondo delle ciotole, che sono anche appositamente progettate per assomigliare alle Pokéball.
Sfortunatamente, le ciotole a sorpresa sono disponibili solo in Giappone e vengono utilizzate solo per gli ordini di cibo. Tuttavia, se ordini Pokémori in viaggio, puoi ottenere dei contenitori e borse appositamente progettati per l'occasione.
Inoltre, è possibile godersi uno di questi Pokébowl comodamente da casa propria partecipando al concorso Twitter di Yoshinoya. Tutto quello che dovete fare è fotografare e twittare lo scontrino della vostra cena o del vostro ordine take away di Pokémori. Seguite l'account Twitter di Yoshinoya e ritwittando uno specifico post sul contest, avrete la possibilità di vincere uno dei Pokébowl (nota: contest disponibile solo in Giappone).
＼ポケモン＋吉野家＝『ポケ盛』発売記念‼／
✨ポケ盛専用ドンぶりを抽選で30名にプレゼント✨
🔊応募方法
①@yoshinoyagyudon をフォロー
②このツイートをRT
〆切1/5ポケ盛専用ドンぶりほんっっっとうに可愛い( ;∀;)💗
たくさんの応募待ってます🎶#ポケ盛ゲット pic.twitter.com/jNKdM8Zj2N— 吉野家 (@yoshinoyagyudon) December 11, 2019
Tutti i Pokémon vi stanno già aspettando a Yoshinoya. Tuttavia, se volete vivere pienamente l'esperienza, dovreste dare un'occhiata al negozio di Yoshinoya della stazione Ebisu, conosciuto anche come uno dei più eccentrici Yoshinoya in circolazione. Questa posizione sarà, infatti, ridecorata anche in un motivo Pokémon.
Le decorazioni sono programmate per rimanere in piedi fino al 5 gennaio, tuttavia, lo stesso Pokémori durerà solo fino a quando le forniture saranno disponibili. Quindi sbrigatevi, dovreste davvero catturarli tutti!!
Fonte: Yoshinoya
Photo Credits: Yoshinoya, perfectly-nintendo.com, nintendosoup.com[:en]A whole generation has been affected by these pocket monsters called Pokémon and now you can find them at Yoshinoya in Japan! But how is that possible?
2019 marks the 120th anniversary in the beef-bowl business for the popular chain Yoshinoya. The popular fast restaurant decided to celebrate it through an interesting partnership with the Pokémon franchise.
To catch’em all will be easy and super delicious, only 6 Pokémon available this time! From December 19th, customers across Japan will be able to order a new type of beef-bowl: The Pokémori!
The Pomémori at Yoshinoya
Available in three varieties, Gyudon, Kid’s Gyudon, and Curry Rice, all for less than 500 yen (US$5), this special menu includes a juice box and Pokémon figure.
The word “gyudon” means “beef bowl” in Japanese, so in honor of this incredible meal of Japanese cuisine something special has been arranged. You will get the chance to find six figures of Pokémon with “don” in their Japanese name.
Left to Right: Charizard (Lizardon), Groudon, Slowpoke (Yadon), Weepinbell (Utsudon), and the West/East versions of Gastrodon (Tritodon)
However, the surprises don’t end here!
We know that the Japanese culture has a strict policy when it comes to respecting the public areas. So for all good boys and girls who clean their plates, there is a special plus! It is, in fact, possible to discover one of these monsters hiding at the bottom of the bowls, which are also specially designed to resemble Pokéballs.
Unfortunately, the surprise bowls are only used for eat-in orders in Japan. However, if you order Pokémori to-go you can get specially designed containers and bags too.
Furthermore, it is possible to enjoy one of those Pokébowls in the comfort of your own home by participating in Yoshinoya’s Twitter contest. All that you need to do is photograph and tweet your receipt from either dining in or taking out a Pokémori order. Follow Yoshinoya’s Twitter account and retweet a specific contest post, you’ll be in with a chance to win one of the Pokébowls (note: only available in Japan).
＼ポケモン＋吉野家＝『ポケ盛』発売記念‼／
✨ポケ盛専用ドンぶりを抽選で30名にプレゼント✨
🔊応募方法
①@yoshinoyagyudon をフォロー
②このツイートをRT
〆切1/5ポケ盛専用ドンぶりほんっっっとうに可愛い( ;∀;)💗
たくさんの応募待ってます🎶#ポケ盛ゲット pic.twitter.com/jNKdM8Zj2N— 吉野家 (@yoshinoyagyudon) December 11, 2019
All the Yoshinoya Pokémon are already waiting for you at Yoshinoya. However, if you want to fully live the experience, you should check out the Yoshinoya Ebisu Station location, also known as one of the swankiest Yoshinoyas around. This location will be, in fact, redecorated in a Pokémon motif too.
Decorations are planned to stay up until 5 January, however, Pokémori itself will only last as long as supplies do. So hurry up and run to Yoshinoya, you really should catch’em all!!
Source: Yoshinoya
Photo Credits: Yoshinoya, perfectly-nintendo.com, nintendosoup.com[:ja]A whole generation has been affected by these pocket monsters called Pkémon and now you can find them at Yoshinoya in Japan! But how is that possible?
2019 marks the 120th anniversary in the beef-bowl business for the popular chain Yoshinoya. The popular fast restaurant decided to celebrate it through an interesting partnership with the Pokémon franchise.
To catch’em all will be easy and super delicious, only 6 Pokémon available this time! From December 19th, customers across Japan will be able to order a new type of beef-bowl: The Pokémori!
The Pomémori at Yoshinoya
Available in three varieties, Gyudon, Kid’s Gyudon, and Curry Rice, all for less than 500 yen (US$5), this special menu includes a juice box and Pokémon figure.
The word “gyudon” means “beef bowl” in Japanese, so in honor of this incredible meal of Japanese cuisine something special has been arranged. You will get the chance to find six figures of Pokémon with “don” in their Japanese name.
Left to Right: Charizard (Lizardon), Groudon, Slowpoke (Yadon), Weepinbell (Utsudon), and the West/East versions of Gastrodon (Tritodon)
However, the surprises don’t end here!
We know that the Japanese culture has a strict policy when it comes to respecting the public areas. So for all good boys and girls who clean their plates, there is a special plus! It is, in fact, possible to discover one of these monsters hiding at the bottom of the bowls, which are also specially designed to resemble Pokéballs.
Unfortunately, the surprise bowls are only used for eat-in orders in Japan. However, if you order Pokémori to-go you can get specially designed containers and bags too.
Furthermore, it is possible to enjoy one of those Pokébowls in the comfort of your own home by participating in Yoshinoya’s Twitter contest. All that you need to do is photograph and tweet your receipt from either dining in or taking out a Pokémori order. Follow Yoshinoya’s Twitter account and retweet a specific contest post, you’ll be in with a chance to win one of the Pokébowls (only available in Japan).
＼ポケモン＋吉野家＝『ポケ盛』発売記念‼／
✨ポケ盛専用ドンぶりを抽選で30名にプレゼント✨
🔊応募方法
①@yoshinoyagyudon をフォロー
②このツイートをRT
〆切1/5ポケ盛専用ドンぶりほんっっっとうに可愛い( ;∀;)💗
たくさんの応募待ってます🎶#ポケ盛ゲット pic.twitter.com/jNKdM8Zj2N— 吉野家 (@yoshinoyagyudon) December 11, 2019
All the Pokémons are already waiting for you at Yoshinoya. However, if you want to fully live the experience, you should check out the Yoshinoya Ebisu Station location, also known as one of the swankiest Yoshinoyas around. This location will be, in fact, redecorated in a Pokémon motif too.
Decorations are planned to stay up until 5 January, however, Pokémori itself will only last as long as supplies do. So hurry up, you really should catch’em all!!
Source: Yoshinoya
Photo Credits: Yoshinoya, perfectly-nintendo.com, nintendosoup.com[:]
[:it]Bushido: etica e condotta, la via del Samurai[:en]Bushido: ethics and conduct, the way of the Samurai[:ja]Bushido: ethics and conduct, the way of the Samurai[:]
[:it]Tra il periodo dello shogunato di Kamakura (1185) e il Periodo Muromachi (1336) prese forma il codice di condotta morale conosciuto come Bushido, (武士道, via del guerriero). Formalmente adottato e applicato dai “bushi”, i guerrieri (Samurai) nel Periodo Tokugawa (1603-1867), questo codice di condotta altro non è che un riadattamento dei principi del buddismo e confucianesimo. Originariamente riadattato alla casta dei guerrieri, dopo la Restaurazione Meiji (1866-1869), il movimento nazionalista giapponese adottò il Bushido come disciplina di comportamento.
photo credits: camminospirituale.com
I 7 principi del Bushido: 7 passi verso la perfezione
Onestà, giustizia, pietà, dovere, onore e lealtà questi erano i princimi che dovevano essere perseguiti fino alla morte. Qualora questo non venisse seguito, la pena era il disonore da espiare attraverso il seppuku (切腹) o harakiri (腹切り). Entrambi questi termini indicano il rituale del suicidio in modo onorevole attraverso il taglio del ventre. Harakiri è utilizzato nel parlato, mentre seppuku è più utilizzato nella forma scritta.
Ogni Samurai era quindi tenuto a seguire 7 principi fondamentali che potremo definire come “morale perfetta”.
Addentriamoci in essi e scopriamoli insieme:
義, Gi: Onestà e Giustizia
Non esistono vie di mezzo, esiste solo il giusto o lo sbagliato. E’ necessario essere onesti nei rapporti con gli altri, credere fermamente nella giustizia che proviene da se stessi, non dalle altre persone. Il vero Samurai non ha mai incertezze riguardo all’onestà e alla giustizia
勇, Yu: Eroico Coraggio
L’eroico coraggio del Samurai si eleva sopra alla masse. Un guerriero non ha paura di agire, non si nasconde nel guscio come una tartaruga, nonostante il rischio ed il pericolo. Eroico coraggio significa vivere in modo completo, pieno, meraviglioso, esso non è cieco ma forte e intelligente.
仁, Jin: Compassione
L'intenso addestramento rende il samurai svelto e forte. È diverso dagli altri, egli acquisisce un potere che deve essere utilizzato per il bene comune. Possiede compassione, coglie ogni opportunità di essere d'aiuto ai propri simili e se l'opportunità non si presenta egli fa di tutto per trovarne una. La compassione di un Samurai va dimostrata soprattutto nei riguardi delle donne e dei bambini
礼, Rei: Gentile Cortesia
I Samurai non hanno motivi per comportarsi in maniera crudele, non hanno bisogno di mostrare la propria forza. Un Samurai è gentile anche con i nemici. Senza tale dimostrazione di rispetto esteriore un uomo è poco più di un animale. Il Samurai è rispettato non solo per la sua forza in battaglia ma anche per come interagisce con gli altri uomini. Il miglior combattimento è quello evitato.
誠, Makoto: Completa Sincerità
Quando un Samurai esprime l'intenzione di compiere un'azione, questa è praticamente già compiuta, nulla gli impedirà di portare a termine l'intenzione espressa. Egli non ha bisogno né di dare la parola né di promettere. Parlare e agire sono la medesima cosa.
名誉, Meiyo: Onore
Il Samurai è il solo giudice del proprio onore. Le decisioni che si prendono e le azioni che ne conseguono sono un riflesso di ciò che si è in realtà. Non ci si può nascondere da te stessi.
忠義, Chugi: Dovere e Lealtà
Per il Samurai compiere un'azione o esprimere qualcosa equivale a diventarne proprietario. Egli ne assume la piena responsabilità, anche per ciò che ne consegue. Il Samurai è immensamente leale verso coloro di cui si prende cura. Egli resta fieramente fedele a coloro di cui è responsabile.
Da diversi anni io stessa ho adottato queste 7 virtù come percorso da seguire. Trovo siano essenziali nella vita di ciascuno perchè siamo tutti dei guerrieri. Ogni giorno affrontiamo sfide e ogni giorno dobbiamo puntare a quella perfezione spirituale che, se fosse perseguita fino in fondo, condurrebbe ad un mondo migliore.
Voi siete pronti a compiere questi passi?[:en]Between the period of the Kamakura shogunate (1185) and the Muromachi period (1336) the code of moral conduct known as Bushido took shape (武士道, the path of the warrior). Formally adopted and applied by the "bushi", the warriors (Samurai) in the Tokugawa Period (1603-1867), this code of conduct is a re-adaptation of the principles of Buddhism and Confucianism. Originally adapted to the warrior caste, after the Meiji Restoration (1866-1869), the Japanese nationalist movement adopted by Bushido as a discipline of behavior.
photo credits: camminospirituale.com
The 7 principles of Bushido: 7 steps towards perfection
Honesty, justice, piety, duty, honour, and loyalty were the principles that had to be pursued until death. If this were not followed, the penalty was the dishonour to be expiated through the seppuku (切腹) or harakiri (切り). Both of these terms indicate the ritual of honourable suicide through the cutting of the belly. Harakiri is used in speech, while seppuku is most used in writing.
Each Samurai was therefore required to follow 7 fundamental principles that we can define as "perfect morality".
Let's go into them and discover them together:
義, Gi: Honesty and Justice
There are no middle ways, there is only the right or the wrong. It is necessary to be honest in dealing with others, to believe firmly in the justice that comes from oneself, not from other people. The true Samurai never has uncertainties about honesty and justice
勇, Yu: Heroic Courage
The heroic courage of the Samurai rises above the masses. A warrior is not afraid to act, he does not hide in the shell like a turtle, despite the risk and danger. Heroic courage means to live completely, fully, wonderfully, it is not blind but strong and intelligent.
仁, Jin: Compassion
The intense training makes the samurai quick and strong. He is different from the others, he acquires a power that must be used for the common good. He possesses compassion, takes every opportunity to be helpful to his fellows and if the opportunity does not arise he does everything to find one. The compassion of a Samurai must be demonstrated above all in regard to women and children
礼, Rei: Kind Courtesy
The Samurai have no reason to behave in a cruel way, they don't need to show their strength. A Samurai is also kind to enemies. Without this demonstration of external respect, a man is little more than an animal. The Samurai is respected not only for his strength in battle but also for how he interacts with other men. The best fight is the one who is avoided.
誠, Makoto: Complete Sincerity
When a Samurai expresses the intention to perform an action, this is practically already accomplished, nothing will prevent him from completing the express intention. He needs neither to give the word nor to promise. Speaking and acting are the same thing.
名誉, Meiyo: Honor
The Samurai is the only judge of his honour. The decisions you make and the actions that follow are a reflection of what you actually are. You can't hide from yourself.
忠義, Chugi: Duty and Loyalty
For the Samurai to perform an action or to express something is to become its owner. He assumes full responsibility, even for what follows. The Samurai is immensely loyal to those he cares about. He remains proudly faithful to those for whom he is responsible.
For several years I myself have adopted these 7 virtues as a path to follow. I find them essential in everyone's life because we are all warriors. Every day we face challenges and every day we must aim for that spiritual perfection that, if pursued to the end, would lead to a better world.
Are you ready to take these steps?[:ja]Between the period of the Kamakura shogunate (1185) and the Muromachi period (1336) the code of moral conduct known as Bushido took shape (武士道, the path of the warrior). Formally adopted and applied by the "bushi", the warriors (Samurai) in the Tokugawa Period (1603-1867), this code of conduct is a re-adaptation of the principles of Buddhism and Confucianism. Originally adapted to the warrior caste, after the Meiji Restoration (1866-1869), the Japanese nationalist movement adopted by Bushido as a discipline of behavior.
photo credits: camminospirituale.com
The 7 principles of Bushido: 7 steps towards perfection
Honesty, justice, piety, duty, honour, and loyalty were the principles that had to be pursued until death. If this were not followed, the penalty was the dishonour to be expiated through the seppuku (切腹) or harakiri (切り). Both of these terms indicate the ritual of honourable suicide through the cutting of the belly. Harakiri is used in speech, while seppuku is most used in writing.
Each Samurai was therefore required to follow 7 fundamental principles that we can define as "perfect morality".
Let's go into them and discover them together:
義, Gi: Honesty and Justice
There are no middle ways, there is only the right or the wrong. It is necessary to be honest in dealing with others, to believe firmly in the justice that comes from oneself, not from other people. The true Samurai never has uncertainties about honesty and justice
勇, Yu: Heroic Courage
The heroic courage of the Samurai rises above the masses. A warrior is not afraid to act, he does not hide in the shell like a turtle, despite the risk and danger. Heroic courage means to live completely, fully, wonderfully, it is not blind but strong and intelligent.
仁, Jin: Compassion
The intense training makes the samurai quick and strong. He is different from the others, he acquires a power that must be used for the common good. He possesses compassion, takes every opportunity to be helpful to his fellows and if the opportunity does not arise he does everything to find one. The compassion of a Samurai must be demonstrated above all in regard to women and children
礼, Rei: Kind Courtesy
The Samurai have no reason to behave in a cruel way, they don't need to show their strength. A Samurai is also kind to enemies. Without this demonstration of external respect, a man is little more than an animal. The Samurai is respected not only for his strength in battle but also for how he interacts with other men. The best fight is the one who is avoided.
誠, Makoto: Complete Sincerity
When a Samurai expresses the intention to perform an action, this is practically already accomplished, nothing will prevent him from completing the express intention. He needs neither to give the word nor to promise. Speaking and acting are the same thing.
名誉, Meiyo: Honor
The Samurai is the only judge of his honour. The decisions you make and the actions that follow are a reflection of what you actually are. You can't hide from yourself.
忠義, Chugi: Duty and Loyalty
For the Samurai to perform an action or to express something is to become its owner. He assumes full responsibility, even for what follows. The Samurai is immensely loyal to those he cares about. He remains proudly faithful to those for whom he is responsible.
For several years I myself have adopted these 7 virtues as a path to follow. I find them essential in everyone's life because we are all warriors. Every day we face challenges and every day we must aim for that spiritual perfection that, if pursued to the end, would lead to a better world.
Are you ready to take these steps?[:]
[:it]Kitsunebi Matsuri, quando il folklore prende vita[:en]Kitsunebi Matsuri, when folklore comes to life[:ja]Kitsunebi Matsuri, when folklore comes to life[:]
[:it]Nell’antico folklore giapponese, il Kitsunebi (狐火, fuoco di volpe) era uno yōkai che, durante la notte, appariva improvvisamente sotto forma di luce incandescente dal colore rosso-arancione e talvolta anche blu. I Kitsunebi aumentavano gradualmente fino a coprire vaste aree, raggiungendo anche i 4km! Si credeva che fossero torce di una processione di volpi che marciavano per le proprie nozze. Le luci venivano avvistate dagli agricoltori sulle montagne ed erano considerate un buon presagio per il raccolto. Infatti, maggiore era il numero di luci vista, più fruttuoso era il raccolto. Tuttavia a nessun umano era concesso di avvicinarsi: coloro che ci provavano erano condannati a svanire.
photo credits: tradurreilgiappone.com
In particolare, nelle storie si racconta del matrimonio tra Otonosama, il re che viveva a Furukawa, e Okon, la figlia del dio volpe. Questa affascinante immagine è l’origine su cui affonda le sue radici l’Hida Furukawa Kitsunebi Matsuri (騨古川きつね火まつり). Questo festival si celebra ogni anno, il quarto sabato di settembre a Hida Furukawa, cittadina pittoresca e rurale ricca di splendidi paesaggi, dove ancora oggi si respira una vita lontana dalla frenesia delle metropoli.
photo credits: tradurreilgiappone.com
Felicità e prosperità!
Come quasi tutti i festival a cui ormai siamo abituati, anche il Kitsunebi Matsuri ha come scopo le benedizioni per il raccolto, la felicità e la prosperità per le famiglie.
photo credits: myjapantravels.wordpress.com
Ma in cosa consiste esattamente il Kitsunebi Matsuri?
Prima di tutto, tutti i partecipanti hanno i baffi di volpe disegnati sul volto, che sia bambini o anziani, negozianti sulla strada oppure turisti. Si comincia con la benedizione delle imprese locali: i danzatori trasportano porta a porta un dongamaki, serpente di corda lungo 5 metri.
photo credits: myjapantravels.wordpress.com
Dopo di chè ha inizio l’evento principale. Su due piedi si potrebbe dire che si tratti di un matrimonio, ma non uno comune, bensì una processione solenne in cui si celebrano le nozze delle volpi, il Kitsune no Yomeiri.
photo credits: myjapantravels.wordpress.com
I futuri sposi, una coppia legata nella vita reale, vengono scelti da un pool di candidati a livello nazionale nella cittadina in cui si terrà la cerimonia nuziale. La lunga marcia condurrà la sposa dallo sposo al calare della notte, quando il Kistunebi ha inizio (una fiaccolata). Coloro che assistono a tutta la processione saranno benedetti e potranno esprimere un desiderio come un buon raccolto, oppure la felicità per la propria famiglia o la prosperità negli affari.
photo credits: tokyopic.com
Una romantica curiosità
Dal 1392, per tutto il periodo Muromachi fino alla fine del XIX secolo, quando le cerimonie nuziali occidentali sostituirono le tradizionali cerimonie giapponesi, i matrimoni si tenevano di notte e la sposa veniva scortata nella sua nuova casa da una parata di luci.[:en]In ancient Japanese folklore, the Kitsunebi (狐火, foxfire) was a yōkai that, overnight, suddenly appeared as a glowing red-orange and sometimes blue light. The Kitsunebi gradually increased to cover vast areas, reaching even 4km! It was believed that they were torches of a procession of foxes marching for their wedding. The lights were sighted by farmers in the mountains and were considered a good harbinger for the harvest. In fact, the greater the number of lights seen, the more fruitful was the harvest. However, no human was allowed to approach: those who tried were condemned to vanish.
photo credits: tradurreilgiappone.com
In particular, the stories tell of the marriage between Otonosama, the king who lived in Furukawa, and Okon, the daughter of the fox God. This fascinating image is the origin of the Hida Furukawa Kitsunebi Matsuri (騨古川きつね火まつり). This festival is celebrated every year, on the fourth Saturday of September in Hida Furukawa, a picturesque and rural town full of beautiful landscapes, where even today you can breathe a life far from the frenzy of the metropolis.
photo credits: tradurreilgiappone.com
Happiness and prosperity!
Like almost all the festivals we are used to now, the Kitsunebi Matsuri also aims to bless the harvest, happiness and prosperity for families.
photo credits: myjapantravels.wordpress.com
But what exactly does the Kitsunebi Matsuri consist of??
First of all, all the participants have fox mustaches drawn on their faces, be they children or elderly, shopkeepers on the road or tourists. It begins with the blessing of local businesses: the dancers carry a dongamaki, a 5 meter long snake, door to door.
photo credits: myjapantravels.wordpress.com
After that the main event begins. We could say that it is a marriage, but not a common one, but a solemn procession in which the foxes' wedding is celebrated, the Kitsune no Yomeiri.
photo credits: myjapantravels.wordpress.com
The future spouses, a couple bound in real life, are chosen by a pool of candidates at the national level in the town where the wedding ceremony will be held. The long march will lead the bride to the groom as night falls when the Kistunebi begins (a torchlight procession). Those who attend the whole procession will be blessed and can make a wish like a good harvest, or happiness for their family or prosperity in business.
photo credits: tokyopic.com
A romantic curiosity
From 1392, throughout the Muromachi period until the end of the nineteenth century, when Western wedding ceremonies replaced traditional Japanese ceremonies, weddings were held at night and the bride was escorted to her new home by a parade of lights.[:ja]In ancient Japanese folklore, the Kitsunebi (狐火, foxfire) was a yōkai that, overnight, suddenly appeared as a glowing red-orange and sometimes blue light. The Kitsunebi gradually increased to cover vast areas, reaching even 4km! It was believed that they were torches of a procession of foxes marching for their wedding. The lights were sighted by farmers in the mountains and were considered a good harbinger for the harvest. In fact, the greater the number of lights seen, the more fruitful was the harvest. However, no human was allowed to approach: those who tried were condemned to vanish.
photo credits: tradurreilgiappone.com
In particular, the stories tell of the marriage between Otonosama, the king who lived in Furukawa, and Okon, the daughter of the fox God. This fascinating image is the origin of the Hida Furukawa Kitsunebi Matsuri (騨古川きつね火まつり). This festival is celebrated every year, on the fourth Saturday of September in Hida Furukawa, a picturesque and rural town full of beautiful landscapes, where even today you can breathe a life far from the frenzy of the metropolis.
photo credits: tradurreilgiappone.com
Happiness and prosperity!
Like almost all the festivals we are used to now, the Kitsunebi Matsuri also aims to bless the harvest, happiness and prosperity for families.
photo credits: myjapantravels.wordpress.com
But what exactly does the Kitsunebi Matsuri consist of??
First of all, all the participants have fox mustaches drawn on their faces, be they children or elderly, shopkeepers on the road or tourists. It begins with the blessing of local businesses: the dancers carry a dongamaki, a 5 meter long snake, door to door.
photo credits: myjapantravels.wordpress.com
After that the main event begins. We could say that it is a marriage, but not a common one, but a solemn procession in which the foxes' wedding is celebrated, the Kitsune no Yomeiri.
photo credits: myjapantravels.wordpress.com
The future spouses, a couple bound in real life, are chosen by a pool of candidates at the national level in the town where the wedding ceremony will be held. The long march will lead the bride to the groom as night falls when the Kistunebi begins (a torchlight procession). Those who attend the whole procession will be blessed and can make a wish like a good harvest, or happiness for their family or prosperity in business.
photo credits: tokyopic.com
A romantic curiosity
From 1392, throughout the Muromachi period until the end of the nineteenth century, when Western wedding ceremonies replaced traditional Japanese ceremonies, weddings were held at night and the bride was escorted to her new home by a parade of lights.[:]
Japan History: Shimazu Takahisa
[:it]Shimazu Takahisa nacque il 28 maggio 1514, figlio di Shimazu Sagami no kami Tadayoshi (1492-1568), adottato da Shimazu Katsuhisa. Divenne il signore di Kagoshima dopo la fuga di Katsuhisa nel 1526. Conquistò la suddetta città nel 1536 ed estese la sua autorità in tutta la provincia di Satsuma.
photo credits: wikipedia.org
Fu uno dei primi daimyō ad impiegare armi da fuoco in battaglia durante l'assedio di Kajiki nella provincia di Ōsumi nel 1549. In quello stesso anno, accolse Francis Xavier a Kagoshima. Concesse la protezione dei Gesuiti per diffondere il cristianesimo nel suo dominio,ritirato successvamente sotto la pressione dei monaci buddisti locali. Takahisa ebbe anche relazioni diplomatiche con il Regno delle Ryūkyū.
photo credits: pinterest.com
15° capo del clan Shimazu, supervisionò il trasferimento della sede del clan dal castello di Shimizu al castello di Uchi nel 1550 quando mandò Ijūin Tadaaki a Shimizu per sopprimere le ribellioni e assicurare il controllo degli Shimazu sulla provincia. Nel 1554 le sue truppe vinsero contro i clan Hishikari, Kamō e Ketō durante l'assedio di Iwatsurugi. Suo figlio Shimazu Yoshihisa in seguito avrebbe completato la sconfitta di questi clan e assicurato il controllo degli Shimazu sul resto della provincia di Satsuma.
photo credits: global.rakuten.com
Si ritirò ufficialmente in favore di Yoshihisa nel 1566 e nel 1569 vennero sconfitti i clan Iriki-in e Tōgō e si assicurò il controllo su Satsuma. L'anno seguente respinse un attacco navale da parte di membri dei clan Kimotsuki, Ijiki e Nejime. Morì il 15 luglio 1571.
Molto importante la sua idea di promuovere le relazioni con persone e paesi stranieri.
I suoi figli furono Yoshihisa, Yoshihiro, Iehisa e Toshihisa.
photo credits: wikipedia.org
[:en]Shimazu Takahisa was born May 28, 1514, son of Shimazu Sagami no kami Tadayoshi (1492-1568), adopted by Shimazu Katsuhisa. He became the lord of Kagoshima after Katsuhisa's escape in 1526. He conquered the aforementioned city in 1536 and extended his authority throughout the province of Satsuma.
photo credits: wikipedia.org
He was one of the first daimyō to employ firearms in battle during the siege of Kajiki in the province of Ōsumi in 1549. In that same year, he welcomed Francis Xavier to Kagoshima. He granted Jesuit protection to spread Christianity in his domain, later withdrawn under pressure from local Buddhist monks. Takahisa also had diplomatic relations with the Ryūkyu Kingdom.
photo credits: pinterest.com
15th head of the Shimazu clan, he supervised the transfer of the clan's headquarters from Shimizu castle to Uchi castle in 1550 when he sent Ijūin Tadaaki to Shimizu to suppress the rebellions and secure control of the Shimazu over the province. In 1554 his troops won against the Hishikari, Kamō and Ketō clans during the siege of Iwatsurugi. His son Shimazu Yoshihisa later completed the defeat of these clans and secured control of the Shimazu over the rest of the Satsuma province.
photo credits: global.rakuten.com
He officially retired in favor of Yoshihisa in 1566 and in 1569 the Iriki-in and Tōgō clans were defeated and he secured control over Satsuma. The following year he rejected a naval attack by members of the Kimotsuki, Ijiki and Nejime clans. He died on 15 July 1571.
His idea of promoting relations with foreign people and countries is very important.
His sons were Yoshihisa, Yoshihiro, Iehisa and Toshihisa.
photo credits: wikipedia.org
[:ja]Shimazu Takahisa was born May 28, 1514, son of Shimazu Sagami no kami Tadayoshi (1492-1568), adopted by Shimazu Katsuhisa. He became the lord of Kagoshima after Katsuhisa's escape in 1526. He conquered the aforementioned city in 1536 and extended his authority throughout the province of Satsuma.
photo credits: wikipedia.org
He was one of the first daimyō to employ firearms in battle during the siege of Kajiki in the province of Ōsumi in 1549. In that same year, he welcomed Francis Xavier to Kagoshima. He granted Jesuit protection to spread Christianity in his domain, later withdrawn under pressure from local Buddhist monks. Takahisa also had diplomatic relations with the Ryūkyu Kingdom.
photo credits: pinterest.com
15th head of the Shimazu clan, he supervised the transfer of the clan's headquarters from Shimizu castle to Uchi castle in 1550 when he sent Ijūin Tadaaki to Shimizu to suppress the rebellions and secure control of the Shimazu over the province. In 1554 his troops won against the Hishikari, Kamō and Ketō clans during the siege of Iwatsurugi. His son Shimazu Yoshihisa later completed the defeat of these clans and secured control of the Shimazu over the rest of the Satsuma province.
photo credits: global.rakuten.com
He officially retired in favor of Yoshihisa in 1566 and in 1569 the Iriki-in and Tōgō clans were defeated and he secured control over Satsuma. The following year he rejected a naval attack by members of the Kimotsuki, Ijiki and Nejime clans. He died on 15 July 1571.
His idea of promoting relations with foreign people and countries is very important.
His sons were Yoshihisa, Yoshihiro, Iehisa and Toshihisa.
photo credits: wikipedia.org
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